Søren Hansen
Directing
Known For
Atmospheres from Poul Dissing, Benny Andersen and their group's journey from place to place to perform, seen through the painter Søren Hansen's gaze. The film is typically an experimental film and has no intention of reporting from Dissing's tour. It makes use of e.g. double exposures (multiple images copied on top of each other) and fragmentary sound clips to capture the moods of the traveling musicians.
The Fiddler's Rearview Mirror

An experimental film based on the young painter Søren Hansen's expressive graphic plates, which appear in the film's close-ups as a rugged, divided and hostile world in itself. (DFI)
Report

An experimental film that attempts a lyrical interpretation of the concepts of love and anxiety. The two concepts meet as two people, separated by a wire mesh. The separation is sought to be annulled from both sides. Sound and image express an abstract mood experience around the two concepts. The film experiments with polarizing colors. (DFI)