Production
Ricardo is all set to play Jesus in a biblical reenactment, but crashes into a dilemma while traveling to the show.
A show where a drunk narrator tries telling an important event of the history of Argentina and Latin America.
Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.
Former lovers randomly find each other, and start to catch up, walking in the Buenos Aires night.
In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.
Julio returns with his family to Argentina after the downfall of the brutal dictatorship that overpowered long-standing democracy. Things soon take an ugly turn as his brother is kidnapped and Julio becomes the lead negotiator with the criminals.
Antonio Decoud is a conservative family man who is forced by destiny to face an unexpected situation that shakes him to the core, scrambling up his life and his priorities, pushing him to forget his beliefs and his way of understanding life and follow the most basic instinct: the animal instinct.
A group of actors and the director of the play set out through the streets of Buenos Aires in search of people who have never been to the theater. This is an open-ended work in terms of time, blending formats that range from stage performance to audiovisual media, with new episodes added each year. The characters, situations, and settings will be created based on the stories collected from the audience. At the same time, the relationships between the characters and the storyline will evolve over time, intertwining aspects of the real lives of the actors with the impact generated by their efforts to connect with the audience.
Marcos was once a successful author of children's books. For years, his goal has been to finish his first "adult" and "serious" novel. But his lack of social interaction, his excessive ambitions, and the influence of the drugs he grows and sells for a living don't help him. He is about to give up when his friend Walter suggests another path: Marcos just has to live a more intense life. And write about it, like so many great writers...
