Mariana Enriquez

On the eve of the 2001 outbreak, Natalia falls madly in love with her lifelong friend Diego. The romance is interrupted when he meets the more experienced Silvia. With the help of her grandma Rita, Natalia decides to call on incantations and curses to jinx Diego and Silvia's blossoming relationship.

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Ema, a 60-year-old doctor, can see and hear the dead. She calls them “presences” and has lived her entire life avoiding letting this gift connect her with the suffering of others. But when her niece Julie — a disturbed young woman who can also communicate with the dead, but in a much more intense and sexual manner — arrives at her house, Ema is forced to get involved. What begins as a family reunion turns into a disturbing chain of events that alters the balance between the world of the living and the dead, infecting an entire neighborhood with voices from beyond. As the borders between life, death, and desire blur, Ema will have to confront her past, her daughter, and the ghosts she never let go.

A terrorized female community resorts to ever more extreme actions in response to male violence.

A taxi-boy breaks off his relationship with his girlfriend and begins a self-destructive love affair with another young man.

Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented - such as journalist Rodolfo Walsh, who was among the "disappeared" - remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country's native population, the conflict between the city and the provinces, and years of military dictatorship.

BAR SCORPIOS is the second album by BLAIR. The album follows "Teresa" an aspiring nun, who after discovering the dark side of the church and religion has a night of chaos, darkness and mystery. Work dedicated to the artist David Lynch.

In this haunting adaptation of Mariana Enríquez's story, Crazy Jane's curiosity draws her to Zedd, a mysterious young man obsessed with capturing the raw essence of humanity. Their investigation leads them to Marcela, a young woman plagued by a malevolent supernatural force, challenging their perceptions of reality and exposing unsettling truths lurking beneath the surface.