Grace Mitchell

In a whimsical, themed hotel in Wisconsin, seven guests’ lives intersect through overlapping spaces, improvised movement, and intimate encounters. Letters exchanged between the filmmakers frame a meditation on desire, blurred identities, and collaborative intimacy, as strangers and selves merge in ephemeral, poetic choreography.

A film where an alley acts as a calendar, charting the progression of a year. Mixed into the linearity is a rolodex of the everyday in no particular order.

Making light of darkness, TOO MUCH FUN is an attitudinal account of familial tragedy surrounding suicide, incest & masculinity.

Daughter gets her first period on a roller coaster in Ohio & Mother has an affair. Shared secrecy bonds and entraps them.

A parking lot by the airport where people sit in their cars, eat takeout, and watch the planes land. A parking lot outside a mega pet store. Inspired by Amy Hempel’s short story collection, Reasons to Live, and the work of poet Bernadette Mayer. An ensemble cast riffs on what we might discover about intimacy in parking lots.

An internalized place defined by dreams, trespassing, and stormy weather.