Valérie Cibot

A walk in the promenade. The film traces a trajectory – from inside to outside, from shadow to light, from Vassiliu to Pierre, from the intimate to the public, from the past to the present. The film sounds like a song – one of which we remember the tune, sing a few couplets of and listen to the chorus with pleasure. Each outing is full of surprises and wonderful encounters. Meetings of emerging songs. A staging in small touches – like a chorus. At home, Pierre gets dressed, gets ready, gets dressed, puts on his stage shirt. Once outside, Pierre crisscrosses Sète. A port city where the incentive to travel is almost permanent. Pierre touches the people he meets with humor. The succession of these encounters places the film in the present.

A group of filmmakers meets a young immigrant who has lived on the streets. He tells them about his trip.

It is the story of an immersion in the age of rebellion. Do they feel heirs to 68? What are they questioning in today's world? In the high school environment, five students take up these questions and lead the investigation, between arguments and giggles, camera in hand and reflection in mind.