Lighting
From politics to politicians, from the media to the justice system, from your neighbor to even himself, Dieudonné really targets everyone in an uncompromising portrait of our society, tinted with vitriol.
Fimed at the Théâtre de la Main d'Or. Dieudonné celebrates the 100th anniversary of the Law on the Separation of Church and State, which was intended to dissolve sectarianism and lead the Republic toward universalism, only to observe its failure... while attempting to analyze the reasons why with humor.
After his betrayal, Judas did not go hang himself, but instead embarked on a 2000-year wandering, carrying the weight of infamy (his betrayal of Jesus), before reappearing in the midst of the Algerian desert.
Following a tragic news event, Dieudonné portrays a dozen characters who, in turn, give their version of the story.
Dieudonné receives his friend Patrick. The latter is in the midst of a depression following his divorce from his wife Sandrine. Dieudonné then comes to talk about couples' problems, romantic encounters, the effects of several years of married life, the role of a parent, children in the midst of divorce. In the course of his development, he even comes to the subject of war, religions, the attacks of September 11. In short, a whole program!
The comedian, through a gallery of quirky and offbeat characters, paints a biting portrait of our society. Dieudonné tackles bankruptcies in all their forms: social, historical, animal...
After being the target of a media lynching, Dieudonné makes a comeback and explains himself on stage in this already iconic show.
Dieudonné looks back on his 10-year solo career... In an original staging, he reviews all the hilarious characters that have made him the most prolific comedian of his generation.
Élie and Dieudonné present this sketch show by transforming into two sociology professors, John Misticric and Herman Von Chtoup, who study our society through various reports.
