Camera
An unassuming mechanic is reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor.
A father’s greatest wish is to see his daughters happy and settled. Khush Naseebi follows the life of one such father who raises his three daughters after his wife’s death.
Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.
Bahar is an acclaimed Iranian director, having made numerous films selected in international festivals. So when she casts actors and asks them to wear women’s outfits for her latest film, they agree in the hope of an international career — or even a visa to leave the country. But wearing skirts and headscarves under the heat is harder than they expected … as is the hit to their pride.
A minstrel named Kamous is standing before Rostam. One out of many stories he has recited for people is: What befell Sohrab with Rostam. Rostam believes that the story the minstrel is narrating-- the Tragedy of Sohrab, is inverted, gone astray and wrongful. And he questions the minstrel "why?" Here, with Rostam questioning the minstrel another story begins which is the opening of our narrative.
