Acting
In the mythical town Macondo, seven generations of the Buendía family navigate love, oblivion and the inescapability of their past — and their fate.
Somebody wants to kill CEO Bárbara Hidalgo. Can she find the culprit as her family schemes ruthlessly for control of their Colombian business empire?
The story follows the Castaño Gil family, a prosperous cattle ranching family marked by the kidnapping and murder of patriarch José Castaño by the guerrilla. This event triggers the decision of brothers Fidel, Vicente, and Carlos to form a self-defense army to fight the guerrillas, intensifying the armed conflict in Colombia. However, what seemed like a unified struggle is threatened by betrayal.
Flora, a young star of Champeta, is tricked by her godfather into infiltrating the life of Vicente, whom he blames as responsible for the death of his son, during a failed attempt to steal the Santa Helena treasure and plans to take revenge.
This story is based on a true story of the singer of Colombian popular music Helenita Vargas, better known as "La Ronca de Oro".
After a sudden heart attack, the Soto Matiz family must face the consequences left by the departure of their patriarch, the two most serious of which are the imminent bankruptcy of their family business and the appearance of an extramarital relationship from which a daughter was born.
Soledad is blind, and her dream is to be a famous singer. She falls in love with Vicente, and although fate seems determined to separate them, they will fight to be together.
On her stepsister’s birthday, Nina must confront her insecurities and her fraying relationship with her father.
The story is woven by Ángela Iregui, a fearless lawyer who finds herself involved in the disturbing cases that touch women – irrespective of age, social status, or place of birth. Each episode reaches a powerful conclusion that countless victims know all too well: the very worst that life has to offer can happen to you just for being a woman.
A group of friends from high society get together during the pandemic to spend a weekend. Everything becomes gradually perverse. Fate is summoned; lust, passion and alcohol, the perfect cocktail for a tragedy.
Buenos Aires, 1880. A journalist interviews Manuel Esteban Corvalán, one of the last living men who crossed the Andes in 1817 with José de San Martín, during the Argentinian and Chilean wars of independence, as one of his secretaries, when he was only 15 years old.
After she loses her mobile phone, a lawyer receives a call from the person who found it. They talk and hit it off very quickly. But she's in shock when she sees that he's very short.
