Alaska B

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

No Tickets At The Door is an in-depth look into Toronto’s diverse underground music scene and the myriad of challenges that musicians, promoters, and venues are facing during COVID-19. Questions about creative survival and perseverance during lockdown, as well as the overwhelming effects of merciless gentrification, are actively raised and discussed by the community. Part documentary, part love letter to the scene, filmmaker and musician Danny Alexander explores the creative impulses that are driving musicians today while paying close attention to the endangered status of Toronto as an incubator for the arts. Featuring interviews with prominent contributors such as Sook-Yin Lee, Dan Burke, Luna Li, Vypers, Alaska B, and TRP.P, owners of historic venues like the Horseshoe Tavern, and local politicians who are championing the arts, No Tickets At The Door examines the importance of music communities in the modern age and what is at stake if a city is no longer hospitable towards them.