David Van Tieghem

An avant-garde omnibus that features works by off-the-wall artists in many different disciplines.

A small Oklahoma town is stripped of its innocence when one of its boys turns up mute and bloodied by the lakeside. Unable to tell his story, the local sheriff embarks on a quest to uncover the roots of a gruesome crime. He's led to Ainsley DuPree and her new husband, Jack, a man whose interest in family may very well outweigh his morals.

A lesbian college graduate, trying to bankroll her own photography business, works as a high-priced New York City escort.

In this Broadway stage production, Orlando Bloom and Condola Rashad take on the title characters in a modern adaptation of the timeless classic, Romeo and Juliet.

Happy couple Geoffrey and Lillian move out to a rural country location so Geoffrey can concentrate on his work. Shutting himself off in a shed out back, Geoffrey is slowly consumed by his work as well as his impending madness.

A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985. The film includes songs from her 1984 album 1984’s “Mister Heartbreak” and selections from her 1983 “United States” show, along with eclectic, experimental visuals blending film, animation, dance and electronics.

White Homeland Commando takes the familiar terrain of network action drama and tilts the playing field. Reminiscent of today's popular reality-based cop shows, White Homeland Commando offers a straightforward story: four members of a special police unit investigate and infiltrate a New York-based white supremacist organization. But that is where the commonplace ends. The teleplay is shot and edited in a highly textured visual style, the colors are subdued yet somehow garish, and the sound is deliberately just out of sync with the speaker's lips. Occasional static combines with jumps in the plot — the editing is reminiscent of a television viewer flipping channels.

Penn Jillette and Teller are called upon to display their unique brand of humor to save civilization from strange extraterrestrial beings who have invaded Earth and who, disgruntled and bored with the mundane nature of human life, threaten to blow up the planet unless someone gives them a good reason not to.

Documentary film version of the stage show in which actress Cynthia Gates Fujikawa explores the story of her father, actor Jerry Fujikawa, who had a long career in films and television, most often as a stereotyped Asian. The daughter, in the course of searching out her late father's history, discovers many things that she had not known, among them that her father had spent time in Manzanar, the internment camp for Japanese-Americans during World War II, that he had had a family prior to hers, and that somewhere out there was a sister she had never known existed.

This tense workplace thriller examines the realities of so-called “post-racial” America. Co-workers are driven apart by the machinations of their boss, and a chilling power struggle ensues that spins wildly out of control.

An amusing, extraordinarily insightful conversation between client and service provider takes place in admittedly a most unlikely location; a location where what one would expect turns out to be quite the opposite than the anticipated. The unlikely location is Tiffany's fantasy dungeon, where anything is possible. The result... A challenge to the nature of existence and the essence of love.

A satirical look at a narcissistic architect.

The story of Willard from Ashley's opera Atalanta, recounted in 3 parts.

Vicky, an out-of-work actress, struggling waitress and lesbian has her whole life thrown into turmoil when her father comes from Germany to visit. The main problem is that Vicky has told him she is a successful actress and happily married. She enlists the help of a gay friend to play her husband. Using a large range of characters—gay, lesbian, straight, transsexuals—the film creates a funny and touching view of family dynamics and sexuality.

This ambitious live satellite link-up of Japan, Korea and the United States features interviews with Keith Haring and architect Arata Isozaki, and performances and works by Philip Glass and the Kodo Drummers, Charlotte Moorman, Nam June Paik, and Lou Reed. In an extraordinary section, a performance in Japan of classical Western music is accompanied by a group of Kabuki dancers.

After losing her teaching career in the Catholic school system, a transgender woman has a profound impact on the lives of two children–one with two fathers in marital strife, and the other a recent transplant from a conservative household. When the children form a unique bond, new questions and old prejudices erupt.

Revisiting this acclaimed work – a brutal one-act comedy about a learning-to-drive daughter who comes face-to-face with the mother she thinks has let her down – Good As New first played in 1993-94 as part of MCC’s (then called Manhattan Class Company) One Acts. It was then extended to a full-length work and presented by MCC in 1997.

Set in the American Midwest, Perfect Lives is “about” bank robbery, cocktail lounges, geriatric love, adolescent elopement, the changing of the light at sundown, et al. One of the definitive text-sound compositions of the late 20th century, it has been called "the most influential music/theater/literary work of the 1980s".

A television documentary produced for British Television directed by Peter Greenaway.

When facing even the most dire of situations, the strength of the human spirit prevails.