Directing
Following the 2011 nuclear disaster, the Oura family was forced to evacuate their home in Namie-cho, Fukushima Prefecture. Several years later, their eldest daughter Miran, who had moved to Tokyo, began filming her family because she wanted to scrutinize the concept of being considered “disaster survivors.” Amidst shifting familial relations—gradually revealed to the viewer—and the continual shock of the realities they confront, each family member is seen groping for their own “road home.”
"My goal is not education, but liberation." In February 2024, a filmmaking workshop takes place in Fukushima under the guidance of the Hungarian master, BĂ©la Tarr. Observing him mentor the students offers a glimpse into his unique perspective on cinema and his profound approach to the art of film.
A filmmaking masterclass led by director Tarr BĂ©la was held in Fukushima Prefecture in February 2024. Short films made there by the seven participants will be screened.
