Acting
Lamja Parshuram is a 1974 Manipuri film directed by Aribam Syam Sharma and produced by G. Narayan Sharma for N.S. Films. The script of the film was written by Elangbam Dinamani Singh and story by G.C. Tongbra. The movie features Kangabam Tomba in the titular role, and Wahengbam Bedamani as the lead female protagonist. It was released on 24 April 1974 at Pratap Talkies, Paona Bazar. The film ran for more than 100 days and became the first Manipuri hit feature film.
The film explores the different life styles of modern India. In urban society corruption is rife, careers advanced by bribes and influence. But there is an alternative: life in the hills, where the people face life silently and accept nature's gifts. In this ultimately optimistic film, a Manipuri youth lives through personal pain and disappointment to face with new hope and energy the struggle of his family for a different way of life.
Matamgi Manipur is the first full-length Manipuri feature film released in the year 1972. The film narrates the story of a middle class family which has votaries of the new and old values in society. They drift in different directions pulled by their diametrically opposite attitudes.
In this award-winning blockbuster film Olangthagee Wangmadasoo (meaning " Even Beyond the Summer Horizon" in Manipuri) by Aribam Syam Sharma, a singer Bijoy and a medical student Thadoi fall in love and decide to marry each other. But differences between their respective families bring a sequence of twists to the tale including attack on Bijoy, his grandfather's death, a pilgrimage and a kidnapping. Will their love be able to defy all these?
A classic melodrama about three women from the Tangkhul community in the Manipuri hills, the film is told in flashback after a young girl, the daughter of Mayophy raised by her widowed grandmother, writes to the narrator having been selected to represent India in the Asian Games. The three women evoke the pristine mountainous landscape even as they encounter modernity and urbanisation.
Tamubi had determined not to visit her estranged husband. Not even once in their twelve years of separation. But one day, all against herself, she visits to attend her daughter’s wedding. She yielded to her daughter’s persistence. When she arrives the estranged couple did not exchange a single word. As night falls after the ceremony, Tamubi has no choice but to hold the night at her husband’s place. Reminiscence of the years gone by keep awake the separated husband and wife the whole night. The following day her husband pleads her to come back and start life anew. But Tamubi sticks to her independent conscience.
