Camera
Before the end of the Second World War, a special commando marches into a mental hospital located in a beautiful manor house to eliminate the patients. But the Gestapo has received an anonymous letter saying that an enemy agent is hiding among the madmen. Officer Windisch is tasked with finding a simulant among several hundred mental patients in a matter of days.
A comedy about two friends who made a bet over a rare postmark.
A mosaic photomontage film from the photo album "Across the City" published in the same year, which was made from the images of the legendary Soviet Union's first group of photographers, STODOM. The group, which registered under the wing of Tallinnfilm in 1964, included Tallinnfilm's cameramen Peeter Tooming, Rein Maran and Andrei Dobrovolski at the time, and photographers Tatjana Dobrovolskaja, Kalju Suur and Boris Mäemets. The group played an important role in the development of a new modernist camera language and the discovery of new spaces, especially urban space, for cinematography.
After a long night with his old war buddies, Andres Lapeteus regains consciousness in the hospital. How has confusion, bewilderment and alienation developed between these men who once fought together side by side? Is this the inevitable result of the Stalinist regime, the influence of his social climber wife, or the effect of his personal cowardliness and conformism? What happened to Andres Lapeteus?