Víctor Tarazona

Susana and Elvira, two former best friends, reunite after two years apart to organize the celebrity wedding of the year.

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Rogelio arrives in the El Milagro neighborhood on the run from a dangerous criminal and takes refuge inside the parish church, where he is mistaken for the new seminarian. Taking advantage of the confusion and fearing for his life, Rogelio plays along, but when he tries to escape, he realizes that not only is it impossible, but he no longer wants to leave.

The Rubio family leaves their Colombian hometown of Sasaima for a vacation in Miami, where they make a splash with their colorful charm and naïveté.

After spending some time in Paris, Lala returns to Colombia determined to help her mother and also determined to face the world in the face of her new change from Lalo to Lala. Something that will not be easy, but thanks to his determination he will achieve it.

A dinner takes place at the home of a prominent businessman. The assistants, 3 couples︎: the businessman and his wife, his best friend and his wife, ︎his partner and his wife. The "rules of the game" are very clear. A closed stage︎: the house. A murder︎: that of the businessman. Five suspects: all with apparent motives to commit the crime, and a detective to make sense of the pieces and find the culprit. Through the interrogations with each of these five murderous candidates, the reconstruction of what happened that night will gradually put on the table the letters of a swing of forbidden relationships, complexes, disagreements, envy, jealousy and shady deals.

In a family party that is respected, good music, fun, love, drinks and why not, even a dead person should never be lacking. The Matayana family will experience a rumba on the birthday of the head of the household, Doña Matilde, until they realize that an inheritance is at stake.

Rogelio Pataquiva, the handyman at the Clinica Verde, faces a tough decision that will test both his dreams and his heart. Torn between his longing to see the sea and the chance to support the “super-baldies,” a group of children with cancer who inspire him with their courage, Rogelio becomes part of an unexpected crime.

In 1992, as Colombia faces an era of drug violence, car bombs, and daily power outages, a young mother in Bogotá receives an internship opportunity in New York and eventually must choose between her family and her dreams.

A theater group made up of various actresses and a male director are rehearsing a play when several cases of invisible abuse and homophobia begin to occur. The women begin to talk to each other and discover that they all have a painful story to tell.

A bored man with no sense of direction visits an improvised dance academy, where he meets his instructor in whom he finds, against all odds, an ally to combat his sadness.

Colombia, 1983. Three friends enjoy another afternoon in the countryside. Suddenly, one of them surprises with a promising new invention.

Manuel is trying to convince his brother Raul that the anunnaki, an ancient extraterrestrial species, has offered him a space on their spaceship in order to escape earth from the impending apocalypse. Raul opposes, thinking that Manuel is only grieving the recent death of their mother.