Agnieszka Borowa

A young woman spends the evening alone at home. She decides to give herself a treat, but not everything works out as smoothly as she imagined.

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Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

An animated protest created by 49 animators in 48 hours as a response to the decision of The Constitutional Court about abortion ban in Poland. Moved and broken by the situation in our country, we, a group of students from the Animation Department of Lodz Film School have decided to act. We strongly oppose the recent events in our country and it’s shameful that such a ruling has been pushed through during this extremely difficult time of pandemic. The Constitutional court has issued a ruling that will end legal termination of pregnancy for fetal anomaly. Many of us are afraid right now, this is why we want to express unity in a just cause.

The documentary film is based on reconstructed archival films of the 1920 Polish-Soviet war, which ended in one of the greatest military successes of the Polish nation. The film also uses radio recordings, accounts of participants and witnesses to the events, as well as archival material testimony that has survived to our time: photographs, orders and records of secret reports. Polish Television carried out a digital reconstruction of century-old, previously unpublished archival films, including those from Soviet Union, France, Great Britain, the Czech Republic, Hungary and the USA.

No description available.

Learning a language is like falling in love. But when this great linguist's love for a princess was denied, he just fell in love with her 75 times more. The film is about the remarkable life of a poor priest's son – Georg Julius Justus Sauerwein and his life-long love for Princess Elisabeth of Wied, later Queen of Romania. This is a psychological drama about a brilliant but complex man. His humanitarian values were far ahead of his time. In his day, he was the most vilified person in the German press. Based on Sauerwein's letters and other written sources and narrated from the first person, the film merges the classic fairytale with documentary realism, both in script and visual design, pushing the boundaries of documentary.