Pablo Vera

Uruguay, 1973. Having been crushed by the military dictatorship, surviving members of the Tupamaro guerillas are imprisoned and tortured. They must find a way to endure the coming 12 years.

After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple's account over the day turns gradually into a peculiar form of violence.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

24 hours in the life of three street youths in Montevideo. Three teenage guys try to figure out what they're supposed to be doing with their lives in this drama from Uruguay that puts the emphasis on character over narrative.

An 11-year-old street boy, Obdulio, who sells newspapers for a living but cannot read or write, finds a magical "Maestro" in the night watchman of the newspaper's office. Obdulio's charismatic mentor not only introduces him to the world of literacy but also teaches him the real meaning of life through the lyrics of the "Murgas" [Carnival Pierrots] during the magical nights of the irreverent and provocative Uruguayan Carnival.

Within the context of the uruguayan press, there's a group of people named "Perejiles". These attend launching parties, inaugurations and all other sorts of events within the uruguayan press with the purpose of free eating. Under a, supposedly, "journalistic patent", their appearance goes unnoticed by most attending these events, except for the press teams consisting of reporters, camera men and drivers or assistants who clearly recognize them and reject their presence.