Mali Van Valenberg

During the night of September 5th, 1879, Camille Doncieux, wife of the painter Claude Monet, dies from a womb cancer. In the early hours of the following morning, the painter makes a last portrait of the one who used to be his model, before becoming his wife and the mother of his two children.

A wealthy Japanese patron, enamored with Rousseau, offers an atypical and versatile filmmaker the opportunity to freely adapt Jean-Jacques Rousseau's epistolary novel into a film. The filmmaker brings together three young actors in a deserted palace above Clarens and begins shooting. Rousseau's tragedy then reverberates through the contemporary characters.