Directing
Omar lived in a very small village in Africa. He arrived in Barcelona in the winter. He would like to learn languages and study, but there are no vacancies in the courses. He would like to work, but he has to wait until he has papers. He would like to get to know the city, find people who trust him, and not feel so alone. He misses his village, his family, and especially his mother. They talk often on the phone, but Omar can't express how difficult everything is here.
Soumaya grew up in Barcelona, and the emotional distance between her and her mother, who is originally from Algeria, often feels vast. That tension is evident in their somewhat prickly conversation about praying and Ramadan. Things shift, however, when Soumaya decides to visit her grandmother in Algeria.
A diverse, massive multi-generational group of women (mothers, grandmothers, sisters, friends, workers, lesbians, transvestites, trans and pregnant bodies.) gather outside as they wait for the Argentine legislature to resubmit and approve a bill that would legalize abortion in Argentina. This pivotal moment in the long struggle for abortion rights in that country lies at the heart of Angel Giovanni Hoyos’ documentary. From the deaths of women as a result of clandestine abortions to the court-ordered ban on the government-approved sale of the abortion drug Misoprostol, “The Road to the Law” chronicles the obstacles faced by many women in Latin America in their continuing struggle to defend their right to choose.
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