
Nils Ramme
Directing
Biography
Nils Ramme (born in Bielefeld in 1993) is a filmmaker and artist based in Cologne. After studying philosophy and performance studies at the Free University of Berlin, Nils completed their diploma at the Academy of Media Arts Cologne in the summer of 2025. Their work encompasses directing, producing, cinematography and sound, with a focus on filmmaking as a magical and politically charged medium
Known For

Ursula and Neda, an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, both feel trapped and lonely in their precarious lives. One summer evening, Ursula falls for a mysterious musician from the city, while Neda is convinced that she recognized an old friend from Tehran in an equally enigmatic street sweeper. The winding paths of chance draw the two women together on an unexpected ghost hunt in the mountains...
Phantoms of July

After an argument with his mother, 12-year-old Dan, who suffers from scoliosis, seeks love and intimacy from 17-year-old Anna, who is supposed to look after him. While his mother, who works for a security company, is on the night shift, Dan and Anna cross set boundaries.
Violet

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.
Herkules

Anna is pregnant and thinks about castrations. Katinka may not be able to become a farmer and wears her bikini in the milking parlor, but grandma's tomatoes have turned out better this year than ever before. A summer on dying German farms.
Smell of Burnt Milk

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.
Cruiser

Alien crashes on an inhospitable planet and tries to contact his*her home planet. While searching, Alien experiences a world in which Alien is simultaneously trapped and repelled. When discovering someone who returns Alien’s gaze, they create themselves a sanctuary.
The Familiar

Catsbark short film
Catsbark

A surreal take on two people longing to bond through movement. The setting is a bygone velodrome, the Albert Richter track in Cologne. Without words, VELODROME evokes a poetic and eerie liminal space. It portrays a pursuit of communication, a permanent interruption. A moment of encounter without meeting.