Juliana Carneiro da Cunha

Cristiano Vilhena is a young man from the countryside who dreams of high society, risking his happiness alongside Simone.

For 30 years, José João Batista—better known as Zezão—worked for the same company. After being forced into retirement by the board, he is left bitter and resentful, only to win a major lottery prize. However, he never collects the winnings, as he is struck and killed by a vehicle beforehand; the winning ticket ends up being buried with him. Angelina, Zezão’s wife, and their four children—Pedro, Jesus, André, and Maria de Fátima—search everywhere for the ticket, until Angelina has a vision of her late husband. In the vision, he reveals that he was buried with the ticket, which was tucked into the pocket of his suit jacket. Angelina then decides to exhume Zezão’s body. When the coffin is opened, the family discovers the corpse wearing only his underwear and concludes that the ticket has been stolen. This sets the stage for the soap opera's main plot: the search for the missing ticket.

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'Ti-Ti-Ti' presents a humorous plot, set in São Paulo, whose central theme is the professional, familial, and romantic rivalry between André Spina and Ariclenes Martins, or Ari, as he is known to those closest to him. The two were childhood friends and always fought a lot, engaging in tireless disputes over the same girlfriends.

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Maria is an orphan girl who suffers from her stepmother's wickedness. She then decides to escape in search of the fringes of the sea and takes a long walk through Brazilian folk tales. On her journey, she meets several fantastic characters.

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The story of the man who embodied the great transformations of the turn of the century, acclaimed almost worldwide as the first man to fly a plane - the 14 Bis. Set in France and Brazil in the late 19th and early 20th centuries, the production follows the aviator's trajectory, from his childhood at his family's coffee plantations in the interior of Minas Gerais, to the sophisticated Paris lounges and air clubs.

A group of women gets together on social media to expose the sexual harassment they all suffered from a renowned specialist in reproductive medicine. The saga of perseverance and courage of these women begins when one of them decides to talk and reveal what was until then confined by the doctor’s office walls.

Malu — a mercurial, unemployed actress living with her conservative mother in a precarious house in a Rio de Janeiro slum — tries to deal with her strained relationship with her own adult daughter while surviving on memories of her glorious artistic past.

In 1940s São Paulo, Pedro’s tasked to retrieve his estranged brother André. André’s departure stems from a domineering father, an overly affectionate mother, and Pedro’s jealousy over the father’s favoritism. Further complicating matters is André’s unconventional relationship with their sister, Ana.

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A film-crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.

Interspersed with documentation of dancer Juliana Carneiro da Cunha’s "Possession" performance, which draws from Christian mysticism, in the filmmaker’s words this experimental short is about “the psychic suffering of women in a patriarchal society”. It takes the viewer on a disorienting journey—with abrupt cuts in sound and image—through the Catholic Church, repressed sexuality, racial violence perpetrated by white women, maternal fatigue, male chauvinism and drug addiction…

Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.

On an unusual day, a series of coincidences lead Eduardo to meet Monica at a party. A curiosity is aroused between the two and, despite not being alike, they fall madly in love. In 1980s Brasília, their love needs to mature and learn to overcome differences.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

A film crew in the early twentieth century, the cabaret known as ‘Le Fol Espoir’ has been transformed into an amateur soundstage. The motion picture tells the story of a ship and its passengers – from the famous opera singer down to the petty criminal. The film is an optimistic political fable intended to educate the masses. There’s comedy aplenty – slapstick punches, custard pies and gags reminiscent of Buster Keaton and Fatty Arbuckle; there’s adventure, high drama moments of great bravura , and passionate love stories. The filming begins on June 28th 1914, the day of the Archiduke Franz Ferdinand’s assassination in Sarajevo, the gunpowder that sets Europe alight. It ends with news of another assassination – that of Jean Jaures on July 31st followed by the general conscription of August 1st, heralded by church bells across France. The allegory of the shipwreck is filmed at breakneck pace during the last five weeks before war breaks out.