Directing
Anthropologists Otto and Suhr explore how people in two very different cultures—the Netherlands and Baluan Island, PNG—grapple with the universal question of life after death. Their journey reveals not only diverse beliefs, but also their own limits of open-mindedness, moments of skepticism, and struggles to embrace unfamiliar ideas.
Soanin Kilangit is determined to unite the people and attract international tourism through the revival of culture on Baluan Island in the South Pacific. He organizes the largest cultural festival ever held on the island, but some traditional leaders argue that Baluan never had culture and that culture comes from the white man and is now destroying their old tradition. Others, however, take the festival as a welcome opportunity to revolt against '70 years of cultural oppression' by Christianity. A struggle to define the past, present and future of Baluan culture erupts to the sound of thundering log drum rhythms.
What do anthropologists mean when they claim to study the cultural traditions of others by participating in them? This film follows the Dutch anthropologist Ton Otto, who has been adopted by a family on Baluan Island in Papua New Guinea. Due to the death of his adoptive father, he has to take part in mortuary ceremonies, whose form and content are passionately contested by different groups of relatives. Through prolonged negotiations, Ton learns how Baluan people perform and transform their traditions and not least what role he plays himself. The film is part of long-term field research, in which filmmaking has become integrated in the ongoing dialogue and exchange between the islanders and the anthropologist.
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A philosophical field trip from Cairo, along the Nile and into the desert in search for what light means as a religious concept in post-revolutionary Egypt.
