
Marc Camardons
Directing
Biography
Marc Camardons (2000, Andorra la Vella) is a director and film producer. He studied at ESCAC (Escola Superior de Cinema i Audiovisuals de Catalunya), where he completed a degree in Cinematography (2017-2020) and later specialized in the Master's program in Film Directing (2020-2022). Since 2023, he has been a director of the UllNu film festival, an event dedicated to promoting emerging audiovisual talent and contemporary creation. At the same time, he combines his work as a filmmaker with teaching, giving classes on cinema and queer theory in audiovisuals, an area where he also focuses much of his research and artistic production. He began his audiovisual career with the short film Estàtua de sal (Pile of salt, 2021), where he reflects on the desire for belonging and self-discovery through sexuality, themes that recur in his filmography. With his subsequent projects, Crisàlides (Chrysalides, 2022), Traca (Banger, 2024), and L'últim mort (The last dead, 2024), he experiments with new narrative forms, placing special emphasis on his place of origin and family roots. The exploration of queer identity and the reclamation of difference become central themes in his work, with characters moving through spaces of transformation and personal discovery. This research culminates with his latest short film Per bruixa i metzinera (The sorceress echo) premiered at La Cinef 2025, the official section of the Cannes Film Festival. A piece that delves into rural memory and popular legends, focusing on family tradition and the reinterpretation of a collective past. He is currently working on the development of the script for his first feature film.
Known For

The streets of Barcelona, thousands of people coinciding at the same time, eyes crossed lost in thought. Not realizing that even though it may seem unique, everyone has a story worth telling. People who live the moment that will change them forever, that will define and vindicate them. Moments in our lives where we have been, or will be, aware of a change of stage; of a before and an after. Moments when we feel like we’re dragging our backs every minute we’ve lived. Because we are all inside our chrysalis until someone breaks them and forces us to face the real world.
Chrysalises

Katrina and Bruno plunge into a wild night of strobe lights and deafening music… until a brutal conflict shatters the fun and ruins the party forever.
La Pegaso

Biel goes partying with his lifelong friends to celebrate Saint John's Eve. It's their routine; going drinking in the street, doing silly things and driving drunk. But Biel has been hiding what is happening for months. And once you turn on the fuse there's no way to stop the firecrackers from exploding.
Banger

Manel and Judit broke up three months ago, but they set a date to spend together a last ski weekend.
Si mai no ens haguéssim separat

March 2020. The roomates leave with their families and Artur is left on one's own thinking that this lockdown will only lasts fifteen days. In the apartment next door, Cèlia lives in a similar situation. In these difficult moments they begin to become close, but always keeping in mind that she has a partner.
Les coses són així

Gina's death will force Greta and Gemma, her sisters, to get back together after a long time and to reconsider if sharing blood really means to be family.
Sisters

The young Aquagym instructor seems to be interested in Gregor, who has never been with a man before. Taking the first step, however, is scarier than the depths of any pool.
White Seahorse

Death wanders aimlessly searching someone to send to the otherworld. The last human has died and only the remains of a society that now cannot be remembered stays. And the animals, that have understood how to outlast us, look at it from afar. What is death without someone that creates the legend?
L’últim mort

Mateo is a seminarian who lives a simple life dedicated to God. His vision of the world, his ideals and his beliefs will be upset when he meets Salvador, another seminarian, who shows him the world in a different way.
Estatua de sal

Cebriana is sure she saw a fire at night on the mountain. There are no traces of embers or witnesses to corroborate her vision. Her grandmother, an old herbmistress, will try to make her see beyond the flames.
The Sorceress Echo

Ö is an ancient asleeped figure, mute as a mime, a brightness, a movement that wakes up three times during the attempt to propel themself with the inertia of a jump sufficiently high to get out of the silent obscurity. The process of transformation of a synthetic idea of a tangible body of bones and meat.
Abaco

Candela accidentally runs over her nephew’s dog and decides not to confess in order to avoid ruining his birthday. She invents a legend about a pilgrimage of dogs and invites the boy to join the search. As they look for the dog, lies gradually begin to consume her.