Julia Lenzberg

An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.

In the urban jungle of Buenos Aires, Cichonga is the toughest badass around, until his nemesis steals his beer, the secret to his might and superhuman strength. Cichonga will have to pummel his way through to recover what is his.

Damián is the neighbor of Viloni, the most popular wrestler of 100 % Lucha. He has always hated Viloni for his popularity. That's why, taking advantage of his bio-technical knowledge, he creates lots of clones who look exactly like the wrestlers of 100 % Lucha (including Viloni). Viloni will be forced to ally with his enemies on 100 % Lucha to stop the evil doctor.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

El Mono, Maikel, Balde, Mafia, Mariano and Memo are six bricklayers who decide to appear in a beat band contest to fulfill their dream: dedicate themselves to music and barbecue. On the way to the contest, in which they are divided to fulfill different objectives (gather instruments, beat clothes, groupies, etc.), they will be caught in the most hilarious adventures in which they will be helped by strange characters.

A young editor (Esteban) will find that he is a prisoner on his new job: an "editing island".

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

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