W. Ray Johnston

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

Firemen Tom and Joe each loves the other's sister, although neither is able to support a wife. Tom's troubles are compounded by a rival for his sweetheart's hand. In a drawn out fight he bests the rival, who steals the revenue from the firemen's ball (of which Tom is treasurer) and hides the money in the storage warehouse in which Tom's sister works as a stenographer. While Tom, Joe, and their sweethearts search for the money, the villain also returns for his loot, and, in his haste, he sets the building afire--trapping the foursome behind a steel door. Their calls for help reach the street, an alarm is turned in, firemen come to the rescue, and the money is found in a blazing desk.

Young New York playboy Stephen Winthrop inherits the entire estate of his wealthy Canadian uncle but pays scant attention to it, preferring the "party" life in New York. He is unaware that the family attorney, Frank Garson, has forbidden hunting on the Winthrop lands in Canada, cutting off the livelihoods of the local villagers. Mary Cartier, goddaughter of the village priest, travels to New York to try to get Stephen to change the policy. He returns with her to Canada, sees what's going on, and lifts the ban, then decides to stay in Canada. Mary returns to New York to try to help Garson's abandoned and ill wife and child, but the wife dies, and Mary brings back the small child to Canada. The villagers, mistaking the child for Mary's, are outraged at this "scarlet woman" flaunting her illegitimate child and attempt to drive her out. Complications ensue.

Jack Carter rides into Nevada and finds himself caught between a local family feud and a dangerous outlaw gang. As he earns the trust of the Watkins family, Carter must confront Luke Baldridge and fight to bring justice to a lawless town.

A freight train loses control and is barreling wildly toward the town of Benbow. A mail train is traveling in the opposite direction on the exact same set of tracks. The Midnight Limited, A passenger train carrying 300 people—including the dispatcher’s own sweetheart—is running on a parallel track. The dispatcher's desperate attempts to avert a catastrophic disaster as all three trains converge at the same point simultaneously fuels the narrative.

Ranch owner Tex McCloud is convinced there is oil under his property and brings in a drilling rig and equipment to drill for it. But a gang who wants the property wage a sabotage and theft war against him.

Our Mutual Girl was unique. Not quite a serial, not quite a newsreel and not strictly an advertisement, it combined elements of all three. In 52 weekly one-reel episodes, running from January 19, 1914 to January 11, 1915, the Mutual Girl outwitted villains, saw the sights of New York, met with theatrical and political celebrities (who frequently helped her out of trouble) and tried on fashionable outfits in chic stores. The fashions were an early example of product placement, although apparently not paid placement.

Cowboy Jack Horton searches for the killer of his father and brother, both of whom were found with an ace of clubs pinned to their bodies.

A stand-off of pride between two families. One family has a pyromaniac in it, while the other, a member of law enforcement. When a detective and friend are killed by the bad boy of the other family, the double-murder is avenged by the father.

No description available.

A press agent helps a honky tonk spot draw a new elite patronage but a troublemaker arrives on the scene as well and disrupts the romance between the male and female stars.

Outlaw trio joins wagon train, planning to rob it.

Jack Lanning defies his father by becoming a prizefighter. Although he is successful, Jack is exiled to Texas by his father. There he falls in love with Jenny Jenkins, a pretty girl whose widowed aunt has fallen in love with Jack. Jack helps the widow recover her ranch payroll, stolen by outlaws, and tries to find a way to marry Jenny without causing trouble with her aunt.

A silent film from the end of the silent era.

A young American arrives in Valdonia to collect a debt which the kingdom owes to his millionaire father. He impersonates a Valdonian prince for a day and wins the love of Princess Iris, the queen of the kingdom.

A good example of the clever light comedy Thanhouser produced for its Falstaff label, while other studios cranked out broad slapstick comedies. Harry Benham and Mignon Anderson were versatile and popular Thanhouser stars, here showing considerable skill in light comedy, a genre that invites plenty of satirical social observation such as the burgeoning beauty-salon industry here. Cinema technique shows much more intricate editing and freer use of closeups than just a year or two earlier.

In this horse racing drama, a young man relies on The Kentucky Handicap, a high-stakes race, as he strives for victory against personal or financial odds!

No description available.

When he goes to war, Theodore Pendergast is a snob. When he returns from the trenches of France, he is a democrat whose best friend is Butch McGuire, an ex-prizefighter and regular guy. Ted (as he is now called) takes Butch home with him to meet his father, and the old gentleman immediately has Ted committed to a sanitarium.

John Rapley, head of Associated Baking Companies, executes a commercial coup that raises the price of bread to 6 cents a loaf. The price increase has a devastating effect on Mary Quinn, a Valencian factory girl who supports her younger brother Joel and sister Norah. Because of the higher cost, Mary can no longer afford to buy as much bread as she previously could for her family, impacting her ability to provide for them.