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Mark Linett

Sound

Biography

Mark Linett is an American record producer and audio engineer who is best known for his remixing and remastering of the Beach Boys' catalog. Since 1988, he has been the engineer for Brian Wilson's recordings. He has also worked with Red Hot Chili Peppers, Jane's Addiction, Los Lobos, Rickie Lee Jones and Randy Newman. Linett is based in Glendale, California, where he owns a private studio, Your Place or Mine Recording. He has also been the broadcast music mixer at the IHeart Radio Theater in Burbank, California since 2014 and from 2009 to 2025 was the co-owner of M and B Audio Remote Recording whose remote truck "Horizon" did many high profile shows including the Grammys, The Iheart Awards, and The CMAs as well as benefit shows for the victims of Hurricane Sandy and Fireaid to help the victims of the 2025 wildfires in Southern California In 1996 Linett created the first true stereo mix of the Beach Boys' 1966 album Pet Sounds and has co-produced nearly all of the band's archival releases, including The Pet Sounds Sessions (1997), Endless Harmony Soundtrack (1998), Hawthorne, CA (2003), and The Smile Sessions (2011) as well as the Feel Flows (2021) and Sail On Sailor (2022) box sets. In addition to earning three[needs update] Grammy Awards, he was nominated for Best Engineered Album for his work on Brian Wilson Presents Smile (2004). In 2014, Linett appeared as Beach Boys' engineer Chuck Britz in the Brian Wilson biopic Love & Mercy. To create remixes of the Beach Boys' catalog, Linett uses ProTools as his DAW of choice, although he keeps analog tape machines for the purpose of transferring to digital. Since 2000, producer Alan Boyd, the band's archive manager, has been his longtime partner for such projects.

Known For

Jimi Plays Monterey
7.5

Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.

Jimi Plays Monterey

1987Movie