Mohammed Sherwani

In 1980s Erbil, five boys from broken childhoods and forgotten streets found their identity behind the wheel of a stolen blue Volkswagen — they called it “The Brazili.” What began as survival soon spiraled into violence, fear, and infamy. The Blue Brazili is a haunting tale of lost youth, crime, and the dark path that trauma can carve through a life.

To escape to the European paradise, the only way is a tunnel that is hidden. A 70 years old Christian man (Uncle Zuheir) lives among the Muslims, his wife and his daughter were victims of violence, he lives next to the tunnel so that he can help people and save their lives.

A distressed young mother, Suhailah, struggles to cope with caring for her daughter and remaining afoot in life whilst also enduring anticipation of news from her husband who is a soldier. She stakes a bid to overcome all hurdles until his return but will he ever come back?

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

The teacher, a girl from a city becomes a teacher in a village, she is in love with Shero who is a guy from the village, and she has to choose one between Shero, the Son of the chief of the village, and humanity.

An investigator working on a case involving a narcotic substance that has been present in Kurdistan for some time. A 10-year-old child has lost their life due to this drug, which makes Savin more determined and relentless in tracking down its source to arrest those responsible. Along the way, he faces many challenges and obstacles

Hayat describes the suffering of an oppressed woman who has lost her mind and she is a victim of society and human insensitivity.

The plot centers on a struggling taxi driver who crosses paths with a wealthy woman and learns that her husband is seriously ill and in need of a kidney transplant. Moved by their situation, he offers to donate his kidney. As time passes, he grows close to the family, but events take a dark turn when the husband dies under mysterious circumstances.

Facing the dual struggles of being a refugee and having an ill mother, young Noor finds her options drastically limited. To secure the money needed for her mother's cure, she must choose between finding an impossible job or accepting a marriage to a wealthy man.

A tale about a struggling father facing hardship while his son battles illness.

Peşrew and Amine are expectant parents living a normal life in the suburbs. However, their lives soon begin to change with the arrival of their newborn daughter — and with her, the presence of a tormented entity known in Kurdish folklore as Şewe (Sha-wa).

An elderly man from a distant village in Iraqi Kurdistan is mightily vexed by his daughter’s dreams of becoming an artist, in contrast with his desire for her to graduate from the faculty of Islamic Studies.