Jin Huaqing
Directing
Biography
Huaqing Jin has directed films like Living with Shame, Blossom with Tears,Lament of Yumen, Endless Road and so on, for which received 40 rewards in international film festival in 18 countries, like France, Italy, Mexico, Brazil, Korea, Japan and so on , including The UNICEF Prize, 2012, 27th Pärnu International Documentary and Anthropology Film Festival for Best children's Film Award, and 4th China Documentary Academy Award for Best Short Documentary Award. For example, the film Living with Shame was awarded "2008 Guangzhou International Documentary Film Festival Jury Prize", and the film Blossom with Tears was awarded "The UNICEF Prize". His Documentaries broadcasted on Al Jazeera television in Qata, BBC, EBS, Fuji TV and so on. Dierctor Hauqing jin served as the the jury of 21st Asian International Film Festival in Vesoul, the final student competition in the 8th Russian Anthropological Film Festival. Huaqing jin is the signed director of Shanxi Culture Industry Investment holdings co Ltd, the creative tutor of Lanzhou University, and the visiting Instructor of Zhejiang University Of Media And Communications, in addition to, he is the adjunct lecturer of Suzhou University. In 2010, he started to hold activities, like Video Training Camp and Video Workshops, the students from different parts of China.
Known For
20.000 Buddhist nuns live in a monastery on a snowy plateau in Tibet, China. Surrounded by harsh nature and secluded from the outside world, these women offer us a glimpse into their religious exploration of life’s biggest questions.
Dark Red Forest
For more then twenty years, tons and tons of metallic and electronic waste from all around the world has been transported to a Chinese town called Fengjang, in the south of Shanghai. Around 50,000 migrant workers have formed a real army to dismantle these metallic wastes. These "green soldiers" decompose, cut, split and recycle, with the most rudimentary means, almost 2 million tons of garbage every year. To remain and assume the minimum materials that is theirs, they work hard, bear an incredible precariousness and put in danger their own health due to the simply unacceptable working conditions. As the recognizable heaps of metal continue to pile up they provide a deeply moving image of a worldwide consumer society.
Heavy Metal
Our film portray the purity and religious piety of Drolma, along with her happiness and sadness, are presented to reveal the conflicting nature of Tibetans' beliefs and traditions in the face of modern urban civilization.