Gloria Castillo

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Diego de la Vega, the son of a wealthy landowner, returns from his studies in Spain and discovers that Los Angeles is under the command of Capitan Monastario, a cruel man who relishes in the misuse of his power for personal gain. Knowing that he cannot hope to single-handedly defeat Monastario and his troops, Diego resorts to subterfuge. He adopts the secret identity of Zorro, a sinister figure dressed in black, and rides to fight Monastario's injustice.

Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television.

Bat Masterson is an American Western television series which showed a fictionalized account of the life of real-life marshal/gambler/dandy Bat Masterson. The title character was played by Gene Barry and the half-hour black-and-white shows ran on NBC from 1958 to 1961. The series was produced by Ziv Television Productions, the company responsible for such hit series as Sea Hunt and Highway Patrol.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

A young man steals a car and ends up involved in a pedestrian fatality. The only witness is a girl he has just met. He threatens her life if she talks, so when she refuses to tell what she knows, she is sent to reform school.

Three teenagers with troubled families are unable to adjust at home and in high-school. Tempted with an easy, carefree life they soon pass from misdemeanors into serious crime - and will suffer for it. Sometimes, repentance comes too late.

Aliens equipped with venomous claws invade a small town, but the town's teenage population is mobilized to fight the menace.

A short film by the United Jewish Appeal, directed by David Lowell Rich and starring Guy Madison, Felicia Farr and Agnes Moorehead, made by the core crew of many Columbia noirs, including cinematographer Burnett Guffey, art director Cary Odell, editor Al Clark, set decorator Frank Tuttle, and composer Morris Stoloff.

A slick conman finds a singing teenage preacher in a small town in Arkansas and brings him to Los Angeles, where he sets him up with his own show and waits for the money to come pouring in.

In a little Western town, a boy is subjected to rays from a meteor. As a result, he grows into a teenaged, hairy, psychopathic killer. His mother hides him in her basement.

A man tells the story of his coming to adulthood when he left home at age 18 and learned the consequences of telling a lie to impress a girl.