Antonella Mignogna

An aging soccer fanatic faces down the reality of his past while struggling to give himself and a young follower very different futures.

Nic, also called "Lovely Boy", is the rising star of the roman suburbs. Tattoos and pure talent, he creates the XXG with his friend Borneo, a music duo that is headed straight to the top. Nic is then sucked into a spiral of self-destruction, which will lead him to a breaking point: he will soon have to deal with himself.

The film tells, through the stories of four characters whose lives, in different forms and manners, are either changed or endangered by shoes, an object symbolizing desire par excellence, what we are willing to do to find our identity in the world, how far we go to be loved and accepted. It narrates a world where everyone desires what they don't have, where everyone wants to be what they are not.

Blending animated storytelling with intimate narration, this documentary paints a soulful portrait of the anonymous Neapolitan singer known as Liberato.

Attilio is a 17-year-old boy living in the Traiano neighborhood of Naples. With his father having just been released from prison, in order to earn some money he agrees to be a guardian for Anastasia, a young prostitute from Eastern Europe. Progressively a feeling arises between the two that will push the boy to make choices.

Green-haired Maia is tired of city life and, driven by a desire to be among nature, she decides to spend the summer picking oranges. In the orchards, she is greeted by the gardener, an eccentric loner called Teo, who notices that Maia isn’t like everyone else. In the same way, he tends his plants and devotes his time and energy to her, and the young woman starts to blossom. Their burgeoning friendship, however, is unsettled by the arrival of Teo’s father and older brother Arturo, who are planning a celebration in a neighboring village.

Anna and Lucia, two women in their twenties, one Italian and one of Nigerian origin, take turns caring for Maria, a bedridden old lady living in a large, antiquated and silent house. Anna looks after Maria during the day, while Lucia has the night shift: the change of shift is the only moment at which the two young women meet, but in that short span of time the differences between them flare up every day, in a conflict in which each asserts—one at the expense of the other—her own position in the world.