Böðvar Bjarki Pétursson
Directing
Known For
A young woman is about to marry into a cult, but before the wedding she has a hen's party where her girlfriends show her what she will be losing once she gets married.
Hen's Party
No description available.
The Protester
No description available.
Kyrr
No description available.
Vald
No description available.
Glíma
No description available.
Roots
Over the course of a year, we watch the bridge builder Haukur Karlsson and the musician Pál Pamphichler Pálsson at work, including the Eyjafjöll region on the south coast, Hvalfjörður and Skeiðarársandur, and Páll rehearsing the Reykjavík Brass Band for its anniversary concert, conducting the Icelandic Opera Orchestra in Der Fledermaus and having a work of his performed at a large open-air concert in Austria. The film suggests that all there certains themes common to all work, and that these men's occupations are not as different as they may seem to be at first glance.
A Brass Band and a Bridge
No description available.
Siggi Valli, the drummer
No description available.
Hræsni
No description available.
Undir
No description available.
Bráðin
No description available.
Problem
No description available.
Friður
No description available.
Starfsemi nútímaþjóðfélags - verðlaunamynd
No description available.
Siggi Valli on a Motorcycle
An experimental documentary about the artist BBPrince as he tries to make a film that captures the atmosphere of the situation years in Iceland
Mona Lisa & the Temple of the Whore
An older couple, Sigga and Runni, reveal funeral photos of their long-dead son who died tragically young. After thirty years, the photos still elicit painful differences between a grieving mother and her stoic husband; Rúna a housewife living in the harsh and isolated west fjords keeps funeral photos of a terrible family tragedy. For Rúna, they mark a profound event which forever changed her and which belong side by side with photos of weddings, confirmations and baptisms; Erlendur and his stepdaughter Úlfhildur, after nursing his wife through a long battle with cancer, use photography to record her on her deathbed, in peace at last. And Sigrún, morbidly fascinated with funerals and wakes, compulsively videotapes acquaintances' family funerals as a bulwark against her own fear of death. When she experiences death first hand however, her attitudes change.
Corpus Camera
No description available.