Sigurður Snæberg Jónsson

The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.

Set on a remote farm on the west coast of Iceland in late summer 1936. Hrefna, encouraged by her grandmother’s stories, begins to mix past and future in her imagination, travelling back to the 14th century.

Follows the adventure of a group of kids and a paper boy named Peter. Plane ride, box car racing and bad neighbours are all included. Iceland's submission for the Academy Award for Best Foreign Language Film in 1990

In the summer of 1984, Iceland's king of country music, Hallbjörn Hjartarson, arranged the first and only Icelandic cowboy-festival. This celebration of western culture took place in Skagaströnd, a village of 700 inhabitants in the north of Iceland, and was attended by Iceland's leading country singers. This documentary describes, in an objective fashion, the general atmosphere of the festival and gives a portrait of the star of the show, Hallbjörn Hjartarson and his views on life and stardom.

A very informative and rare documentary about training of rescue dogs. Not to be missed by any dog lover or dog owner who is keen to train.

Rainbow’s End tells the story of inter-generational family conflict. Is a haunting work that remains as affecting and original today as when it was first released.

Three tales of children each in a different nothern country, Greenland, the Pharoe Islands and Iceland.

A documentary about the perennially controversial issue of the U.S. Nato Base in Iceland. After overing the historical background of the bace, the film deals with the present situation from three different viewpoints: A) The role of the base in the context of international warfare in the North Atlantic and how Iceland would be defended in case of crises; B) The social impact that the presence of these forces has had on everyday life in Iceland, especially the surrounding communities; C) The economical importance of the base in Icelandic society. The film is an objective study of the situation and its author's purpose is to inform rather than influence the viewer.

A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr. Ólafsson making a portrait in clay of the late president of Iceland, Dr. Kristján Eldjárn. The proces is shown almost from the beginning until the sculpture has been moulded into bronze. The film also deals with some of Ólafsson's other work and a visit is paid to the artists's place of birth, Eyrarbakki, a small village on the south west coast of Iceland.

This film is about a ten year old girl, Edda, who is taking part, for the first time, in the famous Icelandic horse tournament at Hella. Together with her girlfriend, the two children travel on horseback over mountains and rivers to reach Hella, some 100 km South of Reykjavík. After a two day journey they reach their destination where over 5,000 people have gathered for the tournament. Edda has been practicing her riding for over a year and now the big day has finally come.

This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.

Love and War is a documentary film about the relationships between Icelandic women and foreign soldiers stationed in Iceland during World War II. Directed by Anna Björnsdóttir, the film is based on research by Inga Dóra Björnsdóttir, a Social Anthropologist, and contains color footage shot in Iceland during the war by an American army photographer, Samuel Kadorian. The film consist of interviews with Icelandic women living in Minnesota, Colorado, California, Virgina and Iceland.

The story of Korpúlfsstaðir, a formerly a highly productive dairy farm, now a flourishing cultural center.