Olga Onishchenko

Soviet miniseries based on Stanislav Lem's book "Powrót z gwiazd" (Return from the Stars). After 9-year interstellar expedition to Fomalhaut, the astronauts returned home. On Earth 127 years had passed and everything had changed. The Earth no longer has wars, and the society is a safe and comfortable place to live, due to betrization prodcedure that turns off natural aggressive instincts at birth. But the humanity has last something more. In this Uttopian society people don't need deep emotions, a strong character, the ability to overcome oneself and win at incredible odds. Before the main character there is a choice: to accept the new norms of society, or to be seen as a savage. Or maybe to leave the Earth again on another expedition?

After serving in the army, Viktor Zavyalov goes to the village to visit the grave of his deceased friend Sergei Sintsov. In the village, Victor meets his mother Vera Sergeevna and falls in love with her, despite the big age difference. Relations between Viktor and Vera Sergeevna cause fierce condemnation of relatives and fellow villagers. Victor is forced to leave the village for St. Petersburg, where he meets his former bride Vika. Victor tries to forget Vera Sergeevna, but cannot ...

No description available.

No description available.

Before leaving Russia and moving to Western Europe, famous opera singer Lyuba travels to her hometown to say goodbye and show her teenage son around. But Andrey, Lyuba’s son, disappears and she must stay in the place she hates the most to search for him. A piercing exploration of identity and transformation, against the backdrop of a Russian hinterland, surrounded by Orthodox churches and snow.

Young d'Artagnan comes to Paris to be a musketeer. There, he meets three old musketeers, members of the glorious King's Guard, but actually realizes that they are not the great fighters who he thinks they are. While joining the musketeers he is faced with the hidden plots of Cardinal Richelieu, his spy Milady de Winter, and a possible war against England.

In their youth, investigator Ekaterina Mazurova and operative Sergei Polyakov witnessed the tragic events that took place in their native village of Zamayachny, which then received the unflattering nickname Yama. In 1990, a maniac appeared there. His victims were several girls, among whom was Valya, Katya's sister and Sergei's fiancee. Then the murders stopped, as suddenly as they had begun. For eleven long years. And all this time Sergey was living with a thirst for revenge, and Katya, in order not to go crazy, simply erased that terrible summer from her memory. But the maniac is back again. And now Katya and Sergey have to meet again to deal once and for all with the past, which, as it turned out, never let them go.

No description available.

No description available.

A movie about two sisters - thirteen year old Sveta, poor and abandoned by her father, who longs to go off and be a sniper in the army, and spoilt eight-year old Dina, doted on by her gangster father...

From his childhood in Russia to his last days in California, the tumultuous ininerary and bathed in melancholy of the legendary pianist and composer Serguei Rachmaninov. This film is based on the legend that Rachmaninoff received a bouquet of lilacs from an unknown admirer after every performance. He emigrated to the United States, and after an interval, began to receive the mysterious lilacs again.

Ilya lives in Moscow; Nina lives in St. Petersburg. Ilya has a beautiful wife and a daughter; Nina's husband is an artist, and they have a young son. Nina occasionally travels to Moscow to see her partners in the publishing industry. Ilya sometimes comes to St. Petersburg on business. But more often they are in the train between St. Petersburg and Moscow just to see each other. Because they have an affair.

For two months a serial killer has been terrorizing the city of St. Petersburg. Every Wednesday a girl between 9 and 12 years old is the victim. The brutality of the maniac plunges city residents into horror. Parents are afraid of leaving their children alone on the street. The press reinforces the atmosphere of fear and hysteria.

Based on Anton Chekhov's classic play, The Orchard is an eccentric comedy about class struggles in Russia at the turn of the 20th century. An aging aristocratic lady returns home to face the loss of her magnificent cherry orchard estate.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.

A teenage girl Vika and a successful but single middle-aged woman get closer in an attempt to take revenge on Zoya’s former lover. They develop a taste for it. They steal and crush his car, burn down his house, and plan to destroy his family.

An anonymous man wanders through decomposing, fog-enshrouded catacombs and encounters a series of “the degraded and the humiliated,” including a holy prostitute and a Kafkaesque bureaucrat.

An old Russian grandmother or "babushka", who took part in the Battle of Stalingrad, sacrificed everything for her children and even sold her house to get money for her grandchildren, is shuttled among those very grandchildren--products of the "new" Russia--none of whom want her to stay with them since she's too much of a "burden" for them.

He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.