Roberto Persano

Osvaldo Pugliese transcended the world, created his own style in tango and became a saint against bad luck for musicians. In the film, his daughter, granddaughter, musicians and fans retrace his steps to unveil this mystery.

The youngsters housed in the "Almafuerte" Maximum Security Juvenile Institute have their first approach to audiovisual recording. A film and documentary video workshop serves as an excuse for them to make a short film inside the prison. The camera is a rabid toy that generates fascination in them and rescues a sheltered, innocent smile that seemed forgotten under the shadows. While inside libertarian cries bounce against the walls, outside sounds fanfares of an iron fist.

During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.

Documentary about Eduardo Longoni, the photographer who captured decisive moments in the last 40 years of Argentine history.

Nicaragua... el sueño de una generación (2012) Anonymous More than 30 years after the triumph of Sandinista Popular Revolution, Argentine 'internationalists' recall their own experience as being part of that Latin American heroic deed. For some of them, the Revolution remains as valid today as it was during those early years, some others keep only a memory of past militancy and dreams realized . All of them have their lives marked by Nicaragua.

No description available.

An analysis of the role of journalism during the 1982 Falklands War and how the Argentine media's support for the cause made 74 days of triumphalist fiction possible.

In July 1982, a month after the capitulation of Argentine troops in the Falklands war with Great Britain, GENTE magazine published on the cover a photo of a boy who had sent a letter and a chocolate to an anonymous soldier. His letter and chocolate would never reach the recipient, the chocolate being later sold at a kiosk in the Argentinian town of Comodoro Rivadavia. 38 years later, Gustavo Vidal, the chocolate boy, embarks on a journey to reconstruct the story that moved, in its time, Argentines deceived by the press before, during and after the armed conflict with the United Kingdom.