Claes Hedlund

The year is 1995. It knocks on the door of 'Greedy Arne' Nyman's dilapidated house. It is Death who has come to take him. Greedy Arne is not worried of Death, he is more afraid of door-to-door sellers, but first he has something vital to deal with. It will be the beginning of a walk with Death by his side, which continues in an old rusty Volvo 240.

Two very special friends on a road trip through Denmark in search of a used Honda Civic that might make life just a little bit more normal. A warm film that goes straight to the heart.

In three long, uninterrupted one-takes shot over a single summer’s day and night, the camera moves slowly through the park while the guests alternately react to the lens or try to ignore it. A gang of Pierrot clones mingle with the visitors. The film is an joint creation between students of the Royal Danish Academy of Fine Arts and the Danish Film School, initiated independently by the students. Using Bakken as a frame - historically, architecturally and socially - all the contributors helped develop the concept for both the film and the performative interventions in front of the camera, which are sometimes inseparable from the hedonistic and condensed semi-fictional universe that an amusement park is.

A man comes home after work. His wife and bird hate him.

Absurd and gritty collage of hope and madness told through different groups of boys and men, all connected through their bodies and their dreams for the black night.

Authentic and raw tale about two brothers in the province.

A young man travels to Stockholm to sell ergonomic shoe insoles. Back in Thailand, his wife and child wait, as he hopes to one day bring them to Sweden. A heartfelt and captivating exploration of dreams and perseverance in a visually stunning depiction of Stockholm.