Anna Russell-Martin

Drama series about the staff and patients at Holby City Hospital's emergency department, charting the ups and downs in their personal and professional lives.

The sharp, witty and enigmatic DI Annika Strandhed, as she heads up a new specialist Marine Homicide Unit (MHU) that is tasked with investigating the unexplained, brutal, and seemingly unfathomable murders.

When a 25-year-old murder in St Andrews becomes the subject of a provocative true-crime podcast, DS Karen Pirie is tasked with heading up a review. Digging up the past, Karen uncovers fresh evidence and a potential perpetrator. But when suspects start coming under attack, the cold case turns into an active investigation. Can Karen find the killer before it’s too late?

Aurora, a Portuguese migrant, works as an order picker in a warehouse in Edinburgh, Scotland. Caught between the walls of a huge distribution centre and the solitude of her own room, Aurora tries to seize every opportunity to resist the alienation and isolation that threaten her identity.

Kira and Ian – both in their mid-30s – meet on a winter weekend on the Isle of Skye. Both are on the run – from their past as well as from the reality of their current lives. The 36 hours they spend together are characterized by fun and lightness. A deep, almost magical connection develops between the two strangers. Everything seems possible. But fate tears them apart again. They both return to London, unaware that they live in the same city. Often only a few minutes, meters and coincidences apart, Kira and Ian move through the pulsating city; they never meet. They first have to face their demons before they are ready to really meet.

Fierce and unstoppable, they are a chorus of wild energy ready to shake Thebes to its core — and liberate its women. But their god Dionysos has his own reckoning. In a showdown with his cousin, King Pentheus, family loyalty, political power and human desire are pushed to breaking point.

When Macbeth meets three witches who predict he will become Thane of Cawdor and then King of Scotland, madness born of ambition sets in, and he and his wife seize power by all possible means, leading to murderous consequences.

In the remote Scottish countryside, a downtrodden woman finds herself entangled in a newly discovered influencer culture, whilst in search of respite from the humdrum of rural living and the impending weight of her care-giving duties.

Anna, an agency worker, takes her dog for a morning walk before doing her shopping. Searching through the discounted items, Anna wanders through the supermarket trying to find the most affordable necessities. As her groceries edge towards the checkout, her agency calls; she has lost her shift. What will she do? The Shift aims to capture the vulnerable condition of a temporary worker and to reveal the immediate consequences of the dangerously short and ever-present distance separating employment and poverty, security and tumult.