Jean-François Garsi

While his mother is dying of cancer, Laurent starts a relationship with a handsome stranger who promises to help him with a film carreer.

Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world. Is this the world of John Wayne Gacy?

The radar looks for an off-screen which is created from scratch and which is what one wants it to be. So we start from there, research, we find something or we do not find anything. We use the plans in their entirety, the images recorded there or elsewhere are deprived of their meaning. They are reconstructed in the overall movement of the film which is summed up (condenses) to its technical characteristics: S8 colors, 18 fps, 8mn, magnetic track lying down. The sense / sense that takes place here for 8 minutes is only the sum / combination of random elements having their own weight but which cancel each other out / add to each other / divide / multiply each other. (CJC)

Two men meet in Milan for 48 hours. They met for the first time, elsewhere. The voice-over speaks of this first weekend and the images are those of the second. The film brings them together and goes beyond them to evoke a city and a passion.