Menha Batraoui

In a hot and politically challenged Cairo actress Aida and her neighbor, the aging diva Samiha, are thrown out on the streets. Together with the street smart Yassin, they try to find a place to live, forcing them to confront with their past.

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

Heba is a TV presenter interested in broadcasting stories that touch on the everyday secret lives of women and the social injustices they face. Her frank style in broadcasting puts her husband's job and consequently her marriage in jeopardy.

Maha has always been passionate about cinema, and as a set designer she's become an expert at creating imaginary worlds. Under immense pressure at work, she sights another life on the horizon and begins slipping between realities-one resembling the film set she's designed and the other her supposed real life. As she grows ever more entangled in each, the border between reality and imagination becomes blurred, and she must choose for the first time what she truly desires.

Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

After more than 20 years, Sue returns from Switzerland to her home country Egypt because her mother Fairouz is in a hospital bed. Sue ran away from the eccentric aristocrat as a young adult. Now she feels compelled to meet her again.

Youssef is a hotshot anesthesiologist who often sleeps in his car for privacy. Laila is the careerist host of a late night radio call-in show. These two members of Cairo's elite, lost souls traveling parallel paths of longing and disconnection, are the principal fish in Yousry Nasrallah's The Aquarium, a meditation on the intellectual capital of the Middle East, now bent under the sway of repression in all its forms.

Set in the summer of 1961 during President Nasser's land reforms, this is a story of the childhood friendship between Yasser, the son of a bourgeois landowner, and Leil, the son of an Egyptian peasant. When turbulent times tear Yasser's family apart, the boys team up for a money-making scheme that results in misadventures.

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

In a dilapidated villa, lives an old doorman who watches the villa since the sixties of the last century, so it becomes his private world. But all of a sudden his stability is threatened by a young park attendant who wants to break into his private space, forcing him to face his fears. so now the doorman finds himself in an unexpected confrontation in which he rediscovers himself again.

Azoz, an employee at the Opera House accompanies a violinist who has just arrived from tours abroad in her errands in the city. He eventually gets influenced by her and starts listening to classical music, and simultaneously gets bored with his life and wife.

A young man who lives abroad, returns to his country Egypt after an absence of 8 years on that very hot day, to spend a short vacation to visit his family in Cairo while calling one of his friends Telefonia is exposed to steal her bag, to chase the thief and get the bag, but he can not find the girl and pick up the name and telephone number Inside the bag ..

Set in a confined world outside time, East of Noon is the fable of prodigy Abdo (19) who uses music to rebel against his elders: showman Shawky (70), an eccentric showman who rules with a mix of performance and fear, and storyteller Jalala (75), who provides relief with stories of the Sea, which no one else has seen. East of Noon is a satire on the inner workings of an ailing autocracy and its inherent vulnerability to youth’s unchained vision of a better world.

Thirty-year-old Noura's unexpected pregnancy throws her into turmoil. She contemplates avoiding starting a family of her own whilst caring for demented Anise, who struggles with her distorted memories of motherhood & a family that ceased to exist.