Wender Zanon

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

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Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).

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Canoas is considered by many, especially by those who are not from there, as a commuter town. Cities from metropolitan areas are usually labeled like this because of the workforce that commutes out everyday to work in the capital. In this daily movement, many times, ideas are conceived and creativity flourishes. I believe that this is one of the reasons why those cities often have a lively cultural scene. The documentary "This is Canoas not POA" makes this very clear: Canoas has a lot to show in terms of a music scene that's independent, diverse, creative, and most important, united. Bands, night clubs, studios, producers, record shops. Everything a music scene needs to develop is very well documented here. Watch it and create your own scene, start your own band!

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