Jayneca Reyes
Directing
Known For

Akin Ang Buhok Ko follows the story of Juan, a 9-year-old kid, who simply wants to keep his long hair against the wishes of the adults around him. When his father finds out that Juan skips classes to evade a mandatory haircut in school, he promises to cut his child’s hair himself. All the while, Juan, together with his best friend, devises a plan to escape their homes.
My Hair Is Mine

Embarking on a remarkable journey, Otep, a 16-year-old high school boy, faces a challenging narrative of education. It is where resources are as scarce as they are essential: as simple as a paper to write on and a pento write with. Realizing that his brother’s efforts in yielding meager wages will not make the cut in reaching for his dreams, Otep makes it his compass, resolving to carve his own destiny.
OTEP The Dreamer

A filmmaker explores why women are at the forefront of documentary filmmaking in the Philippines by chronicling their narratives of struggle and victories as they navigate the masculine filmmaking industry. Throughout the film, she discovers her own reflexivity as a filmmaker but most importantly, as a woman.
Docwomentary: Women Behind the Lens

The director discusses her childhood recollection, which leads to a traumatic narrative that she does not tell many.
age; taken advantage

A look into the life of full-time Filipino puppeteer Ricky Paez and how the art of puppetry has become his life.
My Loving Klok Klok

In an abandoned house, three young adults tried to reminisce about their childhood lives and the community they were once part of. As the storytelling continues, we find remnants of tragedy and trauma from their past.
Remnants of the Lost Childhood

From home kitchens to bustling streets, Pamanang Pamangan explores the cooks who preserve Pampanga’s legendary flavors.