Acting
During the Kadamba reign, King Vijayendra, the ruler of the fictional feudatory land of Bangra, meets his final fate while venturing into the mystical forest of Kantara. Witnessing this, his son Rajashekara seals the borders of their realm. Later, Prince Kulashekara reopens them through a brutal massacre. The protagonist, Berme, in search of prosperity, crosses the divide and ignites a conflict of faith, power, and destiny between the Kingdom and Nature.
Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?
A once famous, obliviously religious Hindu Yakshagana artist loses the highly coveted role of a Hindu deity to a Catholic priest, forcing him to confront his alter ego and grapple with his dogmatic faith in a surreal and enigmatic world.
A young couple's hangout at a remote location goes haywire when they are discovered by a group of villagers and an unlikely antagonist. Now, only a miracle can help them escape.
In a peaceful village full of joy, laughter, and vibrant life, everything seems perfect—until one day, the devil arrives. What follows is a hilarious chain of events that flips the entire village upside down!
Shiva and Hari, two friends who are polar opposites in demeanour, are the terror in Mangaladevi. What happens when ego, ambition and jealousy creeps in between their strong friendship?
Dooradarshana is a 2023 Indian Kannada-language film written and directed by Sukesh Shetty, and produced by Rajesh Bhat. The film stars Pruthvi Ambaar, Ayaana, Sundar, Veena and Harini Shreekanth, with a music score by Vasuki Vaibhav.[1][2][3][4]
ATITHI is a Kannada short film about a caring father whose growing health concerns lead to a terrifying ordeal. Haunted by a mysterious, unseen visitor, he struggles to distinguish between reality and his own fears. As the line between the real and imagined blurs, he fights to maintain his sanity amidst the haunting presence.
Ram, a private detective, learns about murders in the city before the police do. He has to solve a murder case in 15 days. Ram also grapples with the absence of his girlfriend, Jaanu.
“The film IEL is essentially a social commentary, with a generous serving of humour. However, certainly not slapstick but the kind of humour the viewer has to derive himself with its own set of idiosyncrasies. My attempt is to represent serious topics in the garb of comedy, which makes them more digestible"
