Hanna Jalali
Directing
Known For

About how the sudden and unexpected death of someone may become a start point of the new shared story of two young peoples.
After

A mosaic of stories explore Iranian modernity. Following a Persian literary model, personal dilemmas, fanciful speculations and historical motifs follow one another, establishing evocative correspondences between them. From the commitment with which the characters narrate events, it is clear that, beyond history, human time corresponds to myth and anecdote: mythological birds, misregistered surnames, scars from chemical weapons, and memories of deceased women.
Wind

Azadeh is a sports champion, but at home, her mother doesn’t take her accomplishments properly and tries to get her to be the person she wants.
Interview
It’s an ironic portrayal of Iran’s history by the inhabitants of the city of Isfahan, presented in four parts, and about the wind that sweeps everything away.
Wind
Yuliia is a travel blogger who is planning to leave the country to develop her project, but there is one problem: her autistic cousin Bodya. Now it is important to quickly find another place for him to live.