Robyn Nardoo

A portrait of an albino Aboriginal teenager, her feelings of alienation while at a convent boarding school, and her dreams of escape.

This impassioned documentary was rejected for broadcast by ABC TV as "biased" and lacking "balance". John Howard introduced the Intervention legislation in July 2007. Two years later, an official United Nations rapporteur on human rights, Professor James Anaya, described the policy as an "extraordinary measure which infringes on the rights and determinations of Indigenous People". In this film, two Aboriginal spokespersons - Barbara Shaw from the Mount Nancy Town Camp, Alice Springs, and Richard Downs from the Alyawarr Nation - give their views on the effect of the legislation over its first two years of operation. Their stories are accompanied by archival footage and news broadcasts of key moments in the history of the Intervention. Richard Downs speaks especially of the shame and humiliation that came with Howard's unsupported allegations of child abuse in Aboriginal communities, and of the disillusionment that came with the Rudd government's continuation of Howard's policies.

Around a campfire, on a moonlit night, two Anmatjere Elders, Patsy and Jane Briscoe, sing and re-tell an epic Dreaming story told to them by their father and grandfather. It is a story of two young men who are forced into action when a clan of demon Cannibals devour their entire tribe and kidnap the young men's mother and sister. Alone and outnumbered, the young men defy all odds as they defeat the demons and reclaim their women.

The Saint Teresa Church stands proudly in the Aboriginal community of Ltyentye Apurte, a township of 500 people, 80km south-east of Alice Springs. This is a Catholic Church like no other.

Opened in 2008, the Arlpwe Arts Centre and Gallery, in the town of Ali Curung, 350 km north of Alice Springs, provides a focus for the work of a diverse range of Indigenous artists. Artists such as Anita Dickson, May Nampijinpa Wilson, Judy Nampijinpa Long, Valerie Nakamarra Nelson and artefact maker Joe Bird, talk about their work as an expression of their link to their Country. Their art also represents a means whereby they can teach younger people in their community about Country, and also take their stories to a wider public.

Agnes Abbott was born at Loves Creek Station in the 1930s. She lived in the bush with her Eastern Arrernte family, travelling across the parts of her homeland which are still accessible to the old people.