Karu Borge

A first-time nurse must face her fears to end the nightmares she suffers after sedating her first terminal cancer patient.

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Ana returns to the village in summer with the intention of setting up a cinema in the courtyard of an old family house. One day she is working on her project and meets Lucía, an old acquaintance. She hasn't seen her for years but quickly starts to help Ana to make the cinema work properly. The screenings begin as the relationship between Ana and Lucia grows closer. Ana is worried about feeling integrated in the village, while Lucía suggests filming the different neighbours with her video camera so that they can appear in the screenings. The summer goes on and the village is emptying of people, while Ana and Lucía continue filming funny scenes. Soon it will be time for Lucia to leave the village and return to her life in the city, but Ana doesn't want to give up her new way of life in the village.

Rosa María, with 35 years of marriage behind her, secretly wakes up at midnight and discovers a bouquet of violets at the entrance of her house. However, one day, her mysterious lover will stop sending the usual flowers. Luckily, though, her husband is away from work for a few days, taking the opportunity to find out who is really wooing her.

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Four robber drag queens take an old-fashioned man hostage. His name is Juan Carlos, a shy and conservative-looking man. The trip by car will be a discovery for Juan Carlos.

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Uprooting is the starting point for this idea of a collective memory project by Azucena Carbajosa in Pobladura de Sotiedra.