Directing
I thought it would be a symbolic, cathartic experience. Initially, it was a response to the violence of certain representations. I thought that perhaps, by confronting them with an inverted image of violence, we would obtain something akin to a repaired image. It's a film-laboratory, somewhere between staged scenes and documentary, that attempts to grasp where violence goes in the reserves of our consciousness.
Clovis, Châtaigne and Mérovée leave home in search of new horizons. They meet Titus and Lucius, two legionaries who have survived the fall of the Roman Empire.
Monaco, Tomorrow, Daphné is getting married. At 25, when you are torn between the desire for independence and security and you no longer believe in eternal love, what is the underlying promise of marriage?
At night, a group of men gather on the stadium of an elite school they once attended. Some of them are the big winners in this new society. Colonists on their own land, they look away so as not to see the gangrene that is growing there.
