Naohiro Shima

Even though I feel like I'm living in the now, here, I think I just end up being in nowhere all the time. And in the nowhere, I find the now and the here.

Right there in that little gap between fantasy and reality, me and you, movies and videos, concrete and abstract, is that nice cozy space.

There are three "Motifs". The complete differences between them make themselves self-doubt. The melody begins, and the music motif could not resist the impulse to dance, but the others also catching up ... Am "I" also a "Motif"? This film uses a Fugue from Bach, tries to unify similar concepts that exist in different forms, including music, visual arts, and narrative.

Things are kind of crappy right now. In Japanese, we say "hanakuso (nose snot)" instead of crap, though. Here's a dose of hope and giggles.