Eleni Alexandrakis

A wealthy member of the upper classes and his three sons withdraw to a country villa where they spend their days in complete idleness, having everything done for them by their young and beautiful maid. They surrender to the pleasure of sleep, while idleness permeates the tiny world of these living dead, with the exception of the woman who is the sole representative of positive values, will-power and action. Finally, the youngest son will try to break free.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

From the Greek civil war to the war in Afghanistan, from the Franco years to the years of the pandemic, and from the French Island of Reunion to Siberia, many children have been violently uprooted from their natural environment for political reasons. Through their testimonies, terrible and often unknown aspects of history emerge.

Something changes in the relationship of Achilleas and Anna when she starts to dream vividly and insists on relating her dreams to her husband. He is a barrister in the middle of an important murder trial and his temper becomes frayed with Anna's seeming indifference and involvement and preoccupation with her dream world.

The story of a thirties bank employee whose wife becomes a luxury prostitute. The same would happen with the next woman who knows. Xouan a promoter says he belongs to a particular class of people and asks him to work together.

1949, towards the end of the Greek Civil War. Yannis, the son of a rebel, is torn from his village and deported to the Childcare Cities where his ideas and desires are manipulated. Nightmares and dark feelings for his father slowly inhabit his heart. Only when he reaches adulthood does he redefine his existence, so he decides to go and meet the man.

Explores gender equality and how it affects relationships and love in the 1990s. Plot concerns Anna, an actress who is performing in a play about a woman artist who had to dress as a man order to attend lectures forbidden to women, and her brief affair with Andreas, a drop-out working as a bar waiter.

At the age of three Lydie Dattas had a spiritual experience thanks to a nun that took care of her while she was ill. That experience followed her throughout her entire life.

Anna, married to a husband much older than she, longs to see her island, which is right across the island she lives. She has never visited it again since her marriage. Thus, she persuades Mathio, a young shepherd to take her there with a 'borrowed' boat. He accepts, hoping for a romantic adventure. However, all she wants is to see her island. Her husband follows her ...

Documentary/portrait of one of the most important Greek essayists. In this portrait of Kostis Papagiorgis we follow the story of the essayist's life from his birth in 1947 to his death in 2014, discovering the way his writings develop and how his character is reflected in them. All those who meet Kostis Papagiorgis through reading his books find in him a good friend, a teacher, a guide, a perfect interlocutor, a comrade. Even though he never appeared on television avoiding self-exhibition like the plague, he was very well known and his appeal to the public has always been great. Behind his sharpness and irony, as he wrote mostly on the negative aspects of things, he was a warm and tender man, and this shone through in his work. Through his acute inner gaze and self-knowledge, Kostis Papagiorgis, who is probably the most important essayist of contemporary Greece, meditates deeply on the Human Condition.

Anna, married to a husband much older than she, longs to see her island, which is right across the island she lives.