Miep Vermeire

Hugues cannot get over the untimely death of his wife Blanche, who made him happy for ten years. He lives alone in his house in Bruges, a city he would like to be dead like his wife. The sorrowful widower has transformed the place he lives in into a shrine dedicated to his beloved wife. One day, he meets Jeanne, a ballet dancer, who looks like Blanche.

This film offers a deeply personal and emotional exploration of history through the eyes of a young Belgian woman traveling in Spain. By contrasting the 1936 anarcho-syndicalist revolution in Catalonia with mid-century European movements like May ’68, the narrative weaves together her personal heritage and political ideals. It acts as a subjective homage to freedom and utopia, questioning whether the optimistic spirit of 1936 and 1976 can ultimately survive the relentless, demoralizing weight of state power.

When he finds out that his company has expropriated his own mother, a successful young manager gets deeply upset. Money and power now have a different meaning. He needs to struggle against his own self and stake everything in order to reorganize true values in his life. His career is at stake. When his mother dies in the pension she's been put, his point of limit is reached. He feels responsible and takes revenge through terrorist actions. The beast explodes.