Writing
In this stylish and ruthless satire, a famous performance artist faces an unexpected crisis when real-world political matters complicate her latest impeccably provocative and eminently bankable piece.
A beach outside Leningrad in the winter of 1941: two women, mother and daughter, make their way back to the city with a handful of meat. The meat could be both of their salvations from starvation - had the daughter not already devoured it. During a long walk back to the city, the women's relationship is put to the test.
In Germany and Russia, people drink the same amount of pure alcohol: ten liters per capita per year. Two Germans and two Russians are “functioning” young alcoholics. All four are trying to stop drinking. Drinking, however, is so woven into our everyday lives that we no longer even notice it: As long as we function, we drink. And as long as we drink, we function. How can we break out of this vicious circle?
31-year old Ilja Felder works in crisis intervention. When assessing a bereaved mother after her son committed suicide, Ilja struggles, but refuses to admit his weakness to himself and his supervisor Nadia. Soon he drives out to his first unaccompanied assignment - a road accident during a stormy night. When the accident perpetrator turns out to be suicidal, Ilja completely loses his nerves and almost makes a fatal mistake. As a result, he finally has to acknowledge that he can no longer ignore his past.
