Robert Harron

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

A young man and a young woman, each unlucky in love, determine never to marry. But Cupid (and two separate bands of misinformed revelers) has other ideas.

Stern parents have ever been relentless obstacles in love's young dream, but it is perhaps quite doubtful if ever love could equal the accentuated bliss and anguish of these two. She refused to eat for her hero and for her he bore the marks of battle, an eye made black by a cruel parent's fist. Tired of such an unsympathetic world, they sought the wilderness, where, had it not been for Indian Charlie, these two "babes in the wood" would have ended their dream in a manner quite too disagreeable to think of.

A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.

The boy, who is the idol of his widowed mother, returns from college with a collegiate record she is justly proud of. To mark the occasion his boyhood sweetheart and her mother come to spend a few days. The too-indulgent mother, however, is blind to the fact that the boy is spending most of his evenings in full dress, which should have told her that Bohemian society was engaging his attention. A showgirl, who learns that he will soon come into great wealth, determines to win him. Unsophisticated as he is, he is an easy prey. A friend of the family warns the mother of her boy's danger,

Behold in this film the Uplifter, a peculiarity of the human species, quite convinced that all that is, is wrong. Forth to the uplift he minds everybody's business but his own, until that business is as clean, pure and spotless as himself. Verily in these later days is there no school of art named, "Minding One's Business."

This is the story of Gato, an Italian immigrant, who lives with his wife, Marie, and his younger brother, Giuseppe, on a small truck farm in the west. Gato becomes so intent on his work that he neglects to show his wife the little attentions she demands. A foppish wandering Italian, Sandro, sees in this an opportunity to work his ends, but is prevented by the timely interference of Giuseppe.

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

The story of the massacre of an Indian village, and the ensuing retaliation.

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

Sim Sloane and his beloved son were the reprobates of the village, not what would be called lovers of peace and kindness. But granddad dwelt in a house filled more with love, and when Sim came in for his brutal sport, he soon went out assisted by granddad. Incited by ridicule and drink, Sim swore to get even. That was where granddad's new supply of powder came in. Sim appropriated it and although he wrecked the house of love, he destroyed through his venom the only thing he cherished in life.

A young woman who is engaged to a millionaire she doesn't love meets and falls in love with a rough sailor.

John Howard Payne leaves home and begins a career in the theater. Despite encouragement from his mother and his sweetheart, Payne begins to lead a life of dissolute habits, and this soon leads to ruin and misery. In deep despair, he thinks of better days, and writes a song that later provides inspiration to several others in their own times of need.

Griffith adapts the story of the Apocryphal Book of Judith to the screen. During the siege of the Jewish city of Bethulia by the Assyrian tyrant Holofernes, a widow named Judith forms a plan to stop the war as her people suffer in starvation, nearly ready to surrender.

A group of youngsters grow up and love in a peaceful French village. But war intrudes and peace is shattered. The German army invades and occupies village, bringing both destruction and torture. The young people of the village resist, some successfully, others tragically, until French troops retake the town.

Nine-year-old Nedda is a direct descendant of the Trevors, a family that can trace its roots back to the reign of King Charles I. Alas, the Trevors suffer severe financial reverses, and Nedda is yanked from the luxury of her ancestral home in Britain to be raised on New York's Lower East Side. Ten years later, the grown-up Nedda stands accused of the murder of her mother.

Nora, the waif, is forced to attend school. She warms to her teacher for the way that he defends her against the taunts of some of the students, but when she's made to wear a dunce cap, she flees the schoolhouse in shame. Unsupervised by her alcoholic father, Nora becomes a determined truant, wandering the town during school hours. There she catches the attention of a huckster, who convinces her that they will run away and be married. The schoolmaster, meanwhile, preoccupied by Nora's absence, leaves his other students to go find her. He encounters her at a crossroads, being spirited away by the huckster, and calls the man's bluff by saying that he'll find them a minister.

Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.

Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.