Christopher Gurr
Acting
Biography
Christopher Gurr [he/him/his] is an American actor and director known for playing a vast range of roles on Broadway and in theaters across the United States (as well as the more readily accessible reaches of Canada). He was born in the Deep South, educated in the Midwest, ripened by the sun and sea of California and matured in the mountains of Appalachia before making his home in New York City. Gurr starred as Bustopher Jones and Gus (“the cat at the theatre door”) in the Broadway revival of Cats at the Neil Simon Theatre. In that same theater, he made his Broadway debut playing Senator Strom Thurmond opposite Byran Cranston’s LBJ in the Tony Award-winning play, All The Way. Between that notorious Dixiecrat and cats both fat and thin, Gurr has been seen on Broadway as, among other things, a villainous fop and a hard-nosed sea captain (Amazing Grace), a factory owner and his fastidious foreman (two different stints in Kinky Boots), and a very, very strange man in a yellow suit (Tuck Everlasting). Recent Off-Broadway and regional productions featured Gurr in Marie, Dancing Still at Seattle’s 5th Avenue Theatre, the world premiere of The Sting opposite Harry Connick, Jr. at The Paper Mill Playhouse, Titanic and Oklahoma! at Pittsburgh’s Civic Light Opera, and The Resistible Rise of Arturo Ui at Classic Stage Company in New York City opposite Raúl Esparza. Gurr made his commercial theatre debut in the first national tour of the Tony Award-winning musical, Monty Python’s Spamalot. Sometimes as Mrs. Galahad and Sir Bedevere, sometimes as King Arthur, he performed all over North America for the better part of four years. His next first national tour found Gurr playing seven different types of mean white cracker in the Tony Award-winning musical, Memphis. Gurr’s other roles include Hitler (History of War), Heisenberg (Copenhagen), Aerosmith guitarist Joe Perry (Getting The Band Back Together), Uncle Ernie (The Who’s Tommy), Ali Hakim (Oklahoma!), Aldolpho (The Drowsy Chaperone), Geoffrey (The Lion In Winter), and Rutledge (1776). His directing projects include productions of Nine, Camelot, Heartbreak House, Into The Woods, Die Fledermaus, Billy Bishop Goes To War, Wesley Middleton’s Tomato Plant Girl, James Still’s Meet Me Incognito, the world premiere of José Cruz Gonzáles’ Earth Songs, and Guys & Dolls: In Concert with Jeff Tyzik and the Rochester Philharmonic Orchestra and staged readings of many, many new plays and musicals. Gurr has served as artistic associate with Geva Theatre Center in Rochester, NY, The Theatre Building in Chicago, and Metro Theater Company in St. Louis. He has taught with and designed curriculum for the internationally recognized education department of the Oregon Shakespeare Festival. He graduated from and has served as guest director and faculty member at Webster University’s Conservatory of Theatre & Dance in St. Louis. Gurr’s voiceover work has included distressed dads, buttoned-up bankers, Boston Brahmins, and backwoods bloviators, to name a few.
Known For
Raymond "Red" Reddington, one of the FBI's most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he's made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this "The Blacklist". Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.
The Blacklist
Picking up one year after the events of the final broadcast episode of "The Good Wife", an enormous financial scam has destroyed the reputation of a young lawyer, Maia Rindell, while simultaneously wiping out her mentor and godmother Diane Lockhart's savings. Forced out of her law firm, now called "Lockhart, Deckler, Gussman, Lee, Lyman, Gilbert, Lurie, Kagan, Tannebaum & Associates", they join Lucca Quinn at one of Chicago's preeminent law firms.
The Good Fight
After years away from the CIA, Elizabeth McCord is pulled back into the political arena. The newly appointed Secretary of State is tough, fair, and smart, driving international diplomacy, wrangling office politics, and circumventing protocol as she negotiates global and domestic issues, both at the White House and at home.
Madam Secretary
After her successful career in Chicago, Elsbeth Tascioni, an astute but unconventional attorney, utilizes her singular point of view to make unique observations and corner brilliant criminals alongside the NYPD.
Elsbeth
It’s 1882 and the Gilded Age is in full swing when Marian Brook, a young orphaned daughter of a Southern general, moves in with her rigidly conventional aunts in New York City. With the help of Peggy Scott, an African-American woman masquerading as her maid, Marian gets caught up in the dazzling lives of her rich neighbors as she struggles to decide between adhering to the rules or forging her own path.
The Gilded Age
Gen Z amateur sleuth and tech-savvy hacker Darby Hart and eight other guests are invited by a reclusive billionaire to participate in a retreat at a remote location. When one of the other guests is found dead, Darby must use her skills to prove it was murder before the killer takes another life.
A Murder at the End of the World
A queer memoirist's rise to fame turns into a chilling nightmare when he hires a medium to stop the traumatic voices in his head, at the moral cost of silencing spirits from his past.
The Delicate Medium
Stuck with her father’s mission to pick up defeated thru-hikers from The Appalachian Trail, a woman encounters one hiker who, over the course of a night, will set her on a new path forever.
The West Virginian Starfish
A series of surreal vignettes at an American Diner.